Cenacolo Vinciano

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  • Leonardo painted the Last Supper on a wall in the Refectory of the convent of Santa Maria delle Grazie at the behest of Ludovico il Moro, in a period of time ranging from 1494 to 1497. The artist, despite the fact that it was painting on the wall, he did not rely on the traditional and resistant technique of the fresco, which requires a quick drafting of the color on the plaster

    still wet, but wanted to experiment with a method that allowed him to intervene on dry plaster and, therefore, to be able to return several times to the work taking care of every detail. Unfortunately, Leonardo’s intuitions proved to be wrong and soon, due to an unfortunate concomitance of causes, painting began to deteriorate.

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